
Timbaland - "Timbaland Presents: Shock Value" IVC Edition
First Vinyl Pressing Since the OG in 2007
Alternate Cover Art in Purple Color Shift
Includes 5 Bonus Tracks – featuring Steve Aoki’s Club Banger and the Extended Instrumental Version of “The Way I Are”
- The Way I Are - Steve Aoki Pimpin Remix
- Give It to Me (Instrumental)
- Bounce (Instrumental)
- The Way I Are (Extended Version - Instrumental)
- Apologize (Instrumental)
Bonus Timbaland Lithograph
Individually Numbered
Strictly Limited to 3,000 Copies Globally
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If you were in a club anywhere in the world in 2007, you were probably dancing to many tracks helmed by Timbaland, who Allmusic rightfully called “the reigning producer of R&B and rap since 1996.” For his second solo album, the producer extends past the R&B, rap and pop he made his name on for a star-studded musical gumbo featuring a mind-blowing array of guests. “Timbaland can do whatever he wants,” Rolling Stone wrote at the time. “Everyone and your grandmother wants to work with him. And on Shock Value, almost everyone does.”
Missy Elliott, Dr. Dre (“Bounce”), Justin Timberlake, Nelly Furtado (“Give it to Me”) and 50 Cent (“Come and Get Me”) dominate the album’s first half of thumping, futuristic tracks that soundtracked your favorite night out. From there, the uber-producer upends rock with collaborations with Fall Out Boy, the Hives and She Wants Revenge before closing with the mournful yet propulsive smash “Apologize” with OneRepublic and a freewheeling coda with Elton John on “2 Man Show.” The album went platinum that year for good reason, with the producer showing why he’s still untouchable.
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WOLFMOTHER - “Wolfmother” IVC Edition
2LP Gatefold with Deluxe Cover Art Printed on Foil Board
Lacquers cut by Levi Seitz at Black Belt Mastering Using 24-Bit / 192kHz Flat Masters
Vinyl Plated and Pressed at R.T.I.
45 RPM Audiophile Pressing on Translucent Orange and Emerald Vinyl
Rice Paper Record Sleeve
Includes 2’ x 3’ Wall Poster of Original Cover Art Painting by Frank Frazetta
Custom Center Labels Feature Frank Frazetta Original Artwork
Individually Numbered
Limited to 3,000 Copies Globally
No Subscription Fee
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Twenty years after their debut reinvigorated the rock masses, Wolfmother continue to channel the best part of the past to push the future forward. “Their sound is a throwback to 1970s hard rock — miles of galloping riffs, noodling organ, and guitar fuzz,” Pitchfork wrote of their incendiary debut, adding that they “strike a balance between meaty vintage metal and crisp, stoner-rock melodies.”
The scorching, punishing “Woman” is as ass-shaking as it is assaultive, while “Colossal” channels Tony Iommi’s greatest riffs and Ozzy’s demonic howl and “White Unicorn” filter classic Led Zeppelin through a psychedelic bridge. Elsewhere, “Apple Tree” is the best song the White Stripes never wrote and tracks like “Mind’s Eye” highlight frontman Andrew Stockdale’s love of mystical lyricism and prog-metal’s more exploratory paths.
It all adds up to one of the best rock albums of the 2000s and it’s easy to see why Lars Ulrich said he listened to it "every day" when it came out.
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